Audiophile Series: E2 - DAC
DCS Bartok ($15000) |
To understand what a DAC (digital-to-analog converter) does, you must know that all the music you listen today is digital. It is stored in computers and the internet not as analog wave files (not to be confused with the .wav file extension), but as a digital file.And as you know, a digital file is nothing but a series of 1s and 0s, i.e. binary code. Your brain can’t hear binary code. So before you can hear a digital file, you need to convert the series of 1s and 0s into something that can be heard by human ears, i.e. an analog file. And how do you do this? Yeah, you need a so called “DAC”
Hold on… you have internal DAC
Yup, that’s right. Every computing device capable of playing
audio already has a DAC built into it. Even a $5 chipset has an DAC. Otherwise
you wouldn’t be able to play any audio at all.
So
Why Do I Need an External DAC?
In short,
just because the internal DACs of our smartphones and laptops are just ok for
regular consumers, but not good enough for audiophiles. So, there are people
who spend from $50 to $10000 just for DAC.
Digital
music files are usually in the form of a “Pulse Code Modulation” (PCM). PCM is
a method to digitally represent analog signals. This is done by tracing an
analog signal and dividing it into small sections, like this:
For normal CD-quality audio (16 bit 44.1 kHz) this is a
tremendous amount of computation – 44,100 measurements each second, 16-digits
for each measurement (which equals 16 x 441000 = 705,600 digits per second).
And that’s just for CD-quality audio. Even better audio files like 24 bit 192 kHz
it means 4,608,000 calculations per second. As you
can imagine, all these calculations aren’t easy. The DAC has to accurately
estimate the amplitude of each wave and translate it into a binary code (and
vice-versa). And it has to do it hundreds of thousands of times each second. If
there are any errors in the estimation or calculation, the resulting sound will
not be as accurate as the original analog signal.
You may see a digital timing error in the whole process. To accurately capture an analog signal, the DAC has to estimate the amplitude,
play/store it, estimate again, and so on. If the digital circuitry is poorly
designed, there can be minute lapses in this estimate-play process. This is
called jitter, which can add extra distortion to a audio signal.
An external, standalone DAC will vastly
improve the accuracy and “cleanliness” of the sound. Since there is less
jitter, you won’t hear as much harmonic distortion. The difference between your
computer’s DAC and an external DAC in terms of clarity is mind-blowing the
first time you hear it.
DAC
Classifications
For most users DACs can be classified into the following
categories:
Desktop DACs
These
DACs are typically small enough to fit on a desk, but not so tiny that you can
carry them around in your pocket. Desktop DACs typically have a
built-in amplifier and a headphone jack, powered by USB usually.
Portable DACs
These
DACs are slightly bigger than a pendrive in size. Most portable DACs have
built-in amps and headphone out (mostly 3.5mm minijacks) Portable DACs almost
always run on USB power.
Component DACs
If you
own a full-fledged home audio system and need a DAC that can give you enough
juice to power it up, then you need a component DAC. These are large, expensive
and complex devices with high-end circuitry designed to extract the best
possible audio quality.
Most component DACs have a number of ports, including RCA, XLR, etc. Component DACs typically use AC power though a few also take in USB. Component DACs tend to be expensive; expect to pay upwards of $500 for a competent one. While most of these DACs have built-in amps, a few very high-end models focus entirely on the audio processing and need external amps.
DCS Vivaldi ($110,000) |
Most component DACs have a number of ports, including RCA, XLR, etc. Component DACs typically use AC power though a few also take in USB. Component DACs tend to be expensive; expect to pay upwards of $500 for a competent one. While most of these DACs have built-in amps, a few very high-end models focus entirely on the audio processing and need external amps.
Hacks
1. If you don’t have access to high-quality audio files
(DSD, WAV, FLAC), don’t spend too much on a DAC. A $5,000 Benchmark DAC will
fall flat if you feed it a highly compressed MP3 file.
2. Buy DAC according to the system you need to feed. A component
DAC with four digit price tag is no good if you only have an entry level
headphone.
3. At the very minimum, you should have an entry level, audiophile grade
headphones/speakers before you buy a DAC. At least a set of Audio Technica M50x
or beyerdynamic DT990PRO should be your baseline (~$150). Otherwise you’re
going to have a stellar audio signal, but no way to actually hear it in all its
glory.
4. In conventional standalone DACs,
the signal output from the DAC is not strong enough to be heard over
headphones/speakers. In such cases, you would need to add an amplifier to your
mix. Of course, that’s only for high-end standalone DACs. Most of the best
budget DACs often come with a built-in amplifier that can boost signals enough
for headphones/speakers.
5. If you use a wireless headphone, you won't need a DAC, they have built in DAC inside headphone and you can't replace them.
Reference:
https://midination.com/
https://www.youtube.com/channel/UCQIcXQ2n0sa-7CD0NtqnrrA
5. If you use a wireless headphone, you won't need a DAC, they have built in DAC inside headphone and you can't replace them.
Reference:
https://midination.com/
https://www.youtube.com/channel/UCQIcXQ2n0sa-7CD0NtqnrrA